SEEKING
Rhythm Guitar, Lead Guitar.ABOUT
We are a New York City based indie/alternative rock band influenced by a variety of English rock groups past and present. We have historically functioned best as a five-piece band: drums, bass, keyboard, and lead/rhythm guitars that create an often-sinister sonic space for our frontman's lyrics, described by Elena Childers of BTR Today as "practically literary". Prior to the pandemic we were performing concerts approximately once a month, at a wide variety of venues that have included Gramercy Theatre, Webster Hall's The Studio, Knitting Factory, and many others.
We write music almost constantly: our long-overdue second album will be released on October 28th, 2020, and our third album is well underway as well. That said, we do enjoy learning and performing the occasional cover from some of our favorite bands.
Since March, we have begun shifting our focus more to creating more online content, including an increased presence on be and a revamped website that now hosts a merch store. We have also started delving into the world of animation for our videos, which we have also begun casting a more creative eye upon.
- Screen name:
- BlueSpruce
- Member since:
- Oct 18 2020
- Active within 1 month
- Level of commitment:
- Very Committed
- Years together:
- 4
- Gigs played:
- 10 to 50
- Tend to practice:
- 1 time per week
- Age:
- 27 years
Influences
Arctic Monkeys, The Last Shadow Puppets, The Beatles, Franz Ferdinand, Oasis, Muse, Pomplamoose.
Members Of Band
Miles Blue Spruce - Lead Vocals, Rhythm/Lead Guitar, Alto Saxophone, occasional bass and drums.
Matt Geline - Keyboards, Backing/Lead Vocals.
Mike Laster - Bass, occasional Lead/Rhythm Guitar and Backing Vocals.
Max Sperber - Drums, occasional Guitar and Backing Vocals.
EQUIPMENT
Guitars: Fender Jazzmaster, Epiphone Riviera P93, Seagull Acoustic.
Keyboard: Roland VR09.
Bass: Guild Starfire II.
MUSIC
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Disappear
DisappearAnother song that was written before the band was formed, "Disappear" explores the terrifying reality and repercussions of someone's darkest secret being revealed to the world. The band has been performing this song since their third ever show in 2016 and it frequently rounds out our concerts as the set closer. We plan to release "Disappear" as our next single, along with an immersive and dynamic music video. Credits: Miles Blue Spruce - lead/backing vocals, lead/rhythm guitar, guitar solo. Matt Geline - keyboard. Ralgy Cepeda - bass. Max Sperber - drums. Lyrics: Listen to the music coursing through your veins, Tap your foot along, you really can't complain. And yet you can't see why the people smile your name, When all you feel inside is just the sadness and shame. Listen to the music as you tap your feet, See the shockwaves echo up and down the street, Of all the actions and words you said you'd never say, You had hoped that you could stall the coming of this day. And now it's here, And now it's finally here. The day you disappear. Listen to the footsteps rushing overhead, The thought of your discovery fills your mind with dread. And yet you can't see why the people soften their tread Until a banging at the door finds you already dead. And now it's here, And now it's finally here. The day you disappear. And now it's here, And now it's finally here. The day you disappear. And now it's here, And now it's finally here. The day you disappear. The day you disappear, The day you disappear, The day you disappear, The day you disappear.
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A Song For You
A Song For You"A Song For You" is about the first sprouts of a relationship and how things can sometimes move more quickly than anticipated. A short, feisty tune that Miles brought to rehearsal almost completed, it has been described thusly: "Though the instrumentation is advanced and the lyrics are practically literary, “A Song For You” is extremely easy for any listener to relate to." Credits: Miles Blue Spruce - lead/backing vocals, lead/rhythm guitar, guitar solo. Matt Geline - keyboards. Mike Laster - bass. Max Sperber - drums. Lyrics: A chance encounter at best, a brush with fate at the worst, Your words enacted a spell, the spell enacted a curse. It didn't matter what you said, though what you said couldn't hurt, Your tones could elevate me to the sky from the dirt. From the dirt. And just like that you were gone, out of sight not of mind, But not before you left me with my heart in a bind. What was I to do, with you a borough away? If I sing this loud enough then you might here me say, I didn’t mean to write a song for you, I didn’t mean to write a song for you, Just the thought of you has kept me sane, As all my fears begin to wane, Even though it’s only been a week or two. The image of your smile stops my breath once again, Prevents me from departing at my stop on the train. Late evening conversations on the ghosts from the past, Incessantly insisting that that love won't last. That love wont last! Your profile on the Hudson perched upon that table, Disheartened by the pain your frame is forced to fable. You awaited my arrival though I paused at the time, If you wait a little longer I can sing you my crimes. I didn’t mean to write a song for you, I didn’t mean to write a song for you, Just the thought of you has kept me sane, As all my fears begin to wane, Even though it’s only been a week or two. I could watch you work for hours, maybe days at a time, As the off-chance of us being free is so hard to find. If you follow in my footsteps, just you wait and see, Your feet will sink in the prints, so don't follow me, Don't follow me, Don't follow me, Don't follow me.
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Ebb and Flow
Ebb and FlowMiles wrote "Ebb and Flow" after a particularly serene vacation to Cape Cod in 2016. One of the few more positive songs in our repertoire, Ebb and Flow is about going with the flow and trying not to be too anxious about forces that are out of your control. Unhappy with his own vocals on the track, Miles consulted with former Blue Spruce singer Jessica Cecilia to record her own vocals for the final version, as she had done in live performances through 2016-2017. Credits: Miles Blue Spruce - acoustic guitar, electric guitars, backing vocals, drums. Matt Geline - piano and keyboards. Ralgy Cepeda - bass and backing vocals. Jessica Cecilia - lead vocals. Jen Ho - violins. Cali Paetow - violas. Gavin Hsu - cellos. Lyrics: Ebb and flow, The wind will blow, The tides will take it wherever they want it to go. Sand and sun, The reds will run, Across the sculpted sky when daytime is done. The clouds will come, And shapes will grow, You'll find your heart, In a long shadow, so, Sell your smile, And wait a while, Your efforts will take you a foot if you put in a mile. Just wait for me, You're lost at sea, Which may be where nature intended your conscience to be, for now, Bide your time, And try your best, You may find, It's all a test, just, Breath, Take it all in, Let it all out, So you can begin. Breath, Open your heart, Don't be afraid, It won't tear you apart. Feed the flame, And burn again, The part of your heart that refuses to give fear a name. Fuel the fire, And feel desire, If I told you I know that it works you could call me liar. Bide your time, And try your best, You may find, It's all a test, just, Breath, Take it all in, Let it all out, So you can begin. Breath, Open your heart, Don't be afraid. Breath, Take it all in, Let it all out, So you can begin. Breath, Open your heart, Don't be afraid, I won't tear you apart.
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Afterglow
AfterglowThe dark sheep of the second album, most of the parts to Afterglow were written on an acoustic guitar while Miles was babysitting. The following day he brought the song to rehearsal and, after only a couple run-throughs, decided it was complete. Outside of the demo recording from rehearsal and the final version Afterglow has only been performed once, at an acoustic virtual show. Afterglow is a tune about wanting to break out of complacency. The narrator describes someone who takes the safe and easy road, avoiding risks so that even when he “drops the ball”, it only bounces and he has little consequence to face. But living like this has taken its toll, and it is time to face the fact that you can’t avoid making mistakes, and that making them won’t be the end of the world. “Shun the flash and be the afterglow” is the advice to focus on the long term goal, not the short term. Credits: Miles Blue Spruce - lead/backing vocals, lead/rhythm guitar, synths, percussion, drums. Matt Geline - keyboard, backing vocals. Ralgy Cepeda - bass, backing vocals. Josh Parkin - lead guitar. Jen Ho - violin. Cali Paetow - viola. Gavin Hsu - cello. Lyrics: Drop the ball and watch it bounce, Give a gallon, own an ounce. Try and fail, and try again, Lose the sword and find a pen. We all want to be the ones who know, But shun the flash a be the afterglow. Take the wheel and turn it round, Drop the ball and break the ground. Get outside of your own head, Misidentify instead. Let your actions make mistakes, Drop the ball and watch it break. Let your actions make mistakes, Drop the ball and watch it break. We all want to be the ones who know, But shun the flash and be the afterglow. We all want to be the one who knows, But special is as special swiftly goes. We all want to be the one who knows, But special is as special swiftly goes. We all want to be the ones who know, So shun the flash and be the afterglow.
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Downtown Masquerade
Downtown MasqueradeBrought to the band by former bassist and longtime friend Ralgy Cepeda, this fast-paced tune magnifies the experience of a young woman trying to navigate the dating scene amid her own past traumas and the chaos that is modern dating and relationships. Credits: Miles Blue Spruce - lead/backing vocals, lead/rhythm guitar, bass. Matt Geline - keyboard, backing vocals. Max Sperber - drums. Written by Ralgy Cepeda. Lyrics: Mercury is rising, is it so surprising? He doesn’t sweat the small stuff cause he’s got it figured out, The concierge was right to refuse him right of passage, Sirens ringing out, but there isn’t any reason for Alarm! Alarm! As he takes you by the arm, You recall the many times this simple gesture led to harm, Recoil not as smooth as the amateur’s ascension, Living with a memory that always calls attention, To itself, and you, are powerless to stop. The dinner ends, and yet again, you served just as a prop. The time is now, tomorrow too, you’ll never hear an “I love you” That isn’t just a courtesy or friend in ecstasy, Persistence isn’t perseverance ain't it plain to see?, If you check the letters there’s a ‘v’ swapped for a ‘t’. Try again, another day, hoping it’ll be okay. Cry again, I’ll never say or tell you it’ll be okay. Eyes, all dance around and land on other girls, Lights, meant to excite, withhold their fractal mirth from you. In a city with a population straining at the millions, How is a companion hard to find among civilians? You socialize, and harmonize with conversations built to lead, You to somebody’s bed or mattress, until reason supersedes, The urge, the pull, as they try to draw you near, You’re looking for a lifetime but they can’t stomach a year, The miracles are so enticing, angel cake with poison icing, Cherries dipped in cyanide, the witty banter dead inside. Eyes, all dance around and land on other girls, Lights, meant to excite, withhold their fractal mirth from reaching you. Lies, fall from the lips that long tell the truth, Sounds, meant to entice, drown and muffle you. No luck on the downtown masquerade. No luck on the downtown masquerade, not today. No luck on the downtown masquerade. No luck on the downtown masquerade.
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Reckless Driver
Reckless DriverCo-written with former bassist Mat Dorsi in 2016, "Reckless Driver" is a sinister metaphor for a relationship led by a monster of a man who takes every wrong turn. The outro is actually derived from the original demo that Matt recorded and showed to Miles when he pitched the song as potential Blue Spruce material. Credits: Miles Blue Spruce - lead/backing vocals, lead/rhythm guitars, guitar solo, drums. Matt Geline - keyboards. Ralgy Cepeda - bass. Matt Dorsi - bass, acoustic and electric guitars, violins. Jen Ho - violins. Cali Paetow - violas. Gavin Hsu - cellos. Written by Matt Dorsi. Lyrics: Broken headlight, wheels still spinning, Rewind back to the beginning. Crash that could have been avoided, Left untainted, unexploited. Had to go and start the engine, Cut the slack and build the tension, You are all she's got, left now. Grip the wheel and check the dashboard, Tank was empty, for the record, Lock the doors and flip the brights on, Start a sentence, it's a run-on, Empty, did I say the tank was? Don't look now, your words are faux pas, You are all she's got, left now. Reckless driver, careless chauffeur, Did you mean to break her heart? Take a detour, unfamiliar, In a landscape most peculiar, Couldn't stop, with red lights flashing, Wouldn't stop, with stop signs passing, Later claimed you didn't see them, Cheating death and causing mayhem, You are all she's got, left now. Reckless driver, careless chauffeur, Did you mean to break her heart? Reckless driver, you destroyed her, Didn't you mean to brake the car? Analyze the crash for what it was, Arrogance and anger just because, He had never driven a car before, Left her in the backseat, to ignore. Pleading that she didn't want to go, Terrifying actions drowned her "no". Running on fumes and clammy beer, He forced his words into her ear. Wished that she had never seen, His crooked smile and horrid grin, Though in her mind it's not her fault, The life in her eyes came to a halt. Claim that it was her decision, Even with your tunnel vision, You are all she's got, left now. Reckless driver, careless chauffeur, Did you mean to break her heart? Reckless driver, you destroyed her, Didn't you mean to brake the car? Reckless driver, you destroyed her, Didn't you mean to brake the car?
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Follow Your Eyes
Follow Your EyesWritten about a year before the band was formed, "Follow Your Eyes" explores a relationship where the narrator describes their manipulative and toxic significant other. Later coming to the realization that all their prior accusations were merely projections and it is the narrator that is the toxic one, the song culminates in the narrator having a breakdown. Though the song has never been performed live, the band worked with Burnt Toast Productions in 2019 to create a music video for the song that hit YouTube in December of that year. Credits: Miles Blue Spruce - lead/backing vocals, lead/rhythm guitar, percussion, saxophones. Matt Geline - keyboards. Ralgy Cepeda - bass. Max Sperber - drums. Jen Ho - violin. Stazi Szymkowicz - violin. Cali Paetow - viola. Gavin Hsu - cello. Lyrics: At first I thought it nice, Before the poison in the ice Had melted all around the punch you'd poured. At first I thought you kind, And not the quiet kind of girl, Who has nothing nice to say, so says nothing at all. And now, I cannot follow your eyes. And now, I cannot swallow the lies. Inside your head you think you own me, But I'm not so easy to buy. A face inside a locket, framed by the tears that you'd never cry. When push would come to shove, I never thought to doubt your love, When really its the place I should have gone. You'd sigh and shake your head, Toss and turn at night in bed, Your guilty conscious writhing till the dawn. And now, I cannot follow your eyes. And now, I cannot swallow the lies. Inside your head you think you own me, But you haven't got the money to buy, A face inside a locket, framed by the tears that you'd never cry. I ought to clarify, That there is more that meets the eye. Than the fantasies that swirl inside my mind. You haven't done me wrong, My inner voices sing a song, That paints you as the culprit to my crimes. And now, you cannot fathom my pain, And now, my conscious darkens again. Inside my head it's all a vortex, you'd be crazy to call me sane. It's always been my fault i don't have half the right now to complain. And now, I see there were never any lies, And now, I've forever lost sight of your eyes, Inside my head I thought you owned me, Nothing here to justify, The locket that I'd stolen, and the tears you'd always cried. And as the timbers rot, and the braces fold, All the windows crack, all the shimmer leaves the gold, The house is haunted, but the attic still active, With the ghosts of thoughts once thought attractive. There is nothing left for me, there is nothing left of me, If you try to find a foothold, it will crumble to the sea, As the lights go out and the doors slam shut, You can play the part, but you'll never make the cut.
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Last Train Ride
Last Train RideWritten organically from a jam session during a band practice in the winter of 2017, "Last Train Ride" has become the quintessential show opener for our sets and a fan favorite. The song was released as an EP in 2018 with two b-sides, and in June of 2019 we released a music video for it on YouTube. Track Credits: Miles Blue Spruce - lead/backing vocals, lead/rhythm guitar, percussion. Matt Geline - keyboards, backing vocals. Ralgy Cepeda - bass. Max Sperber - drums Josh Parkin - lead/rhythm guitar, guitar solo, backing vocals, percussion. Lyrics: Watch me, as the raindrops, keep a' rolling down my back. Stay here, in the last car, as the train rolls down the track. Forgive me, don't forget me, or the good times from our past. Hear me, when I tell you, that this train ride will be our last. Last Train Ride, Last Train Ride. Forgive me, don't forget me, or the good times from our past. Hear me, when I tell you, that this train ride will be our last. Last Train Ride, Last Train Ride. Last Train Ride, Last Train Ride, Last Train Ride, Save your hide.
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Cobblestone
CobblestoneOriginally conceived by Matt, "Cobblestone" is one of the core Blue Spruce songs that define "The Poison in the Ice". It describes the musings of an anxious partner in a relationship, overanalyzing and blowing small things out of proportion. And, whenever something in the relationship does go awry, it only serves to validate these fears in the narrator's head. Credits: Miles Blue Spruce - lead/backing vocals, lead/rhythm guitar. Matt Geline - keyboards and synths. Ralgy Cepeda - bass. Nick Jenkins - lead guitar. Written by Matt Geline. Lyrics: Strolling through the night, Remembering the "goodbye's" tone, It's never not been alright, You always look between the cobblestones. Why do you fantasize the worst, with replay on? Why do you never fail to fear that she'll be gone? Stumble through the night, Remembering the squabble's tone, You can't say it's alright, As you trip upon the cobblestones. How did it escalate so fast, your voices raised? Leaving the two of you aghast, neither appraised? Can't you see the disgust in her gestures? Can't you see that there's tears in her eyes? Why do you always make pain from her pleasures? An illness that always appears in disguise. Stumble through the night ("goodbye's" tone) Can't say it's alright (cobblestone) Strolling through the night, Remembering the "goodbye's" tone, It's never not been alright, You always look between the cobblestones. Why do you fantasize the worst, with replay on? Why do you never fail to fear that she'll be gone? Can't you see the disgust in her gestures? Can't you see that there's tears in her eyes? Why do you always make pain from her pleasures? An illness that always appears in disguise.
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Leave Me Be
Leave Me BeOriginally written with a heavier and more straight-rhythm groove by Miles, the song became something new altogether when he brought it to the band - slower, more captivating, more sensual, and more dynamic. The lyrics are about a partner who satisfies the base cravings of the narrator's mind, but fail to leave much of a mark in other areas. Though the moth is drawn to the flame, the narrator fights their urges and escapes. Credits: Miles Blue Spruce - lead/backing vocals, lead/rhythm guitar, percussion. Matt Geline - keyboard, backing vocals. Mike Laster - bass. Max Sperber - drums, percussion, guitar solo. Josh Parkin - rhythm guitar, guitar solo, backing vocals. Lyrics: The pace slows from a race to a robust rhythm. And a sigh to signify the final act is through. I wanna break away from all the things that brought me here, including you. I wanna see you disappear from my peripheral vision. And float away, On a cloud, So my mind, Won't be so loud. And how you frown your brow in the heat of friction. And the way you softly sway as you pass me by. You draw the lizard in and yet you turn my mind away, you still don't know why. I wanna hear your pace recede from all the corners of my mind. Echoes fade, Fade away, Leave me be, Let me stay. Stay aloof, From you now, I will find, My way somehow.
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A Song For You
A Song For You"A Song For You" explores the various stages of a relationship. While the title track is about the exciting start of a relationship, the remaining three tracks explore the sadness, anger, longing, and eventually forgiveness of when the relationship ends. Credits Miles Blue Spruce - lead/backing vocals, electric/acoustic guitar, drums on "In Like A Lion" and "Sunny Days Past". Matt Geline - keyboards. Mike Laster - bass on "A Song For You". Ralgy Cepeda - bass on "In like A Lion" and "Sunny Days Past". Max Sperber - drums on "A Song For You". Leah Tash - lead vocals on "In Like A Lion". Jen Ho - violin. Stazi Szymkowicz - violin. Cali Paetow - viola. Gavin Hsu - cello. Album Art by Ida Marx. Composed, arranged, and written by Blue Spruce. Recorded, mixed, and mastered by Miles Blue Spruce at Blue Spruce Studios and the Sonic Arts Center at CCNY.
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In Like A Lion
In Like A Lion"A Song For You" explores the various stages of a relationship. While the title track is about the exciting start of a relationship, the remaining three tracks explore the sadness, anger, longing, and eventually forgiveness of when the relationship ends. Credits Miles Blue Spruce - lead/backing vocals, electric/acoustic guitar, drums on "In Like A Lion" and "Sunny Days Past". Matt Geline - keyboards. Mike Laster - bass on "A Song For You". Ralgy Cepeda - bass on "In like A Lion" and "Sunny Days Past". Max Sperber - drums on "A Song For You". Leah Tash - lead vocals on "In Like A Lion". Jen Ho - violin. Stazi Szymkowicz - violin. Cali Paetow - viola. Gavin Hsu - cello. Album Art by Ida Marx. Composed, arranged, and written by Blue Spruce. Recorded, mixed, and mastered by Miles Blue Spruce at Blue Spruce Studios and the Sonic Arts Center at CCNY.
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Sunny Days Past
Sunny Days Past"A Song For You" explores the various stages of a relationship. While the title track is about the exciting start of a relationship, the remaining three tracks explore the sadness, anger, longing, and eventually forgiveness of when the relationship ends. Credits Miles Blue Spruce - lead/backing vocals, electric/acoustic guitar, drums on "In Like A Lion" and "Sunny Days Past". Matt Geline - keyboards. Mike Laster - bass on "A Song For You". Ralgy Cepeda - bass on "In like A Lion" and "Sunny Days Past". Max Sperber - drums on "A Song For You". Leah Tash - lead vocals on "In Like A Lion". Jen Ho - violin. Stazi Szymkowicz - violin. Cali Paetow - viola. Gavin Hsu - cello. Album Art by Ida Marx. Composed, arranged, and written by Blue Spruce. Recorded, mixed, and mastered by Miles Blue Spruce at Blue Spruce Studios and the Sonic Arts Center at CCNY.
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Where Love Once Grew
Where Love Once Grew"A Song For You" explores the various stages of a relationship. While the title track is about the exciting start of a relationship, the remaining three tracks explore the sadness, anger, longing, and eventually forgiveness of when the relationship ends. Credits Miles Blue Spruce - lead/backing vocals, electric/acoustic guitar, drums on "In Like A Lion" and "Sunny Days Past". Matt Geline - keyboards. Mike Laster - bass on "A Song For You". Ralgy Cepeda - bass on "In like A Lion" and "Sunny Days Past". Max Sperber - drums on "A Song For You". Leah Tash - lead vocals on "In Like A Lion". Jen Ho - violin. Stazi Szymkowicz - violin. Cali Paetow - viola. Gavin Hsu - cello. Album Art by Ida Marx. Composed, arranged, and written by Blue Spruce. Recorded, mixed, and mastered by Miles Blue Spruce at Blue Spruce Studios and the Sonic Arts Center at CCNY.
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Last Train Ride
Last Train Ride
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Sequel
Sequel
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Colorblind
Colorblind
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Lost At Dawn
Lost At DawnIntended Memories Part II is the third musical release by urban indie rock band Blue Spruce. All songs and lyrics composed and written by Miles Alexander Blue Spruce. Recorded by Blue Spruce at the Sonic Arts Center at the City College of New York and Strange Recording Studios. Mixed and Mastered by Miles Alexander Blue Spruce at the Sonic Arts Center and Blue Spruce Studios.
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In The Air
In The AirIntended Memories Part II is the third musical release by urban indie rock band Blue Spruce. All songs and lyrics composed and written by Miles Alexander Blue Spruce. Recorded by Blue Spruce at the Sonic Arts Center at the City College of New York and Strange Recording Studios. Mixed and Mastered by Miles Alexander Blue Spruce at the Sonic Arts Center and Blue Spruce Studios.
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You Won't Remember My Name
You Won't Remember My NameIntended Memories Part II is the third musical release by urban indie rock band Blue Spruce. All songs and lyrics composed and written by Miles Alexander Blue Spruce. Recorded by Blue Spruce at the Sonic Arts Center at the City College of New York and Strange Recording Studios. Mixed and Mastered by Miles Alexander Blue Spruce at the Sonic Arts Center and Blue Spruce Studios.
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Exactly Like You
Exactly Like YouIntended Memories Part I is the second musical release by urban indie rock band Blue Spruce. All songs and lyrics composed and written by Miles Alexander Blue Spruce. Recorded by Blue Spruce at the Sonic Arts Center at the City College of New York. Mixed and Mastered by Miles Alexander Blue Spruce at the Sonic Arts Center.
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Year Ago
Year AgoIntended Memories Part I is the second musical release by urban indie rock band Blue Spruce. All songs and lyrics composed and written by Miles Alexander Blue Spruce. Recorded by Blue Spruce at the Sonic Arts Center at the City College of New York. Mixed and Mastered by Miles Alexander Blue Spruce at the Sonic Arts Center.
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You Know Me
You Know MeIntended Memories Part I is the second musical release by urban indie rock band Blue Spruce. All songs and lyrics composed and written by Miles Alexander Blue Spruce. Recorded by Blue Spruce at the Sonic Arts Center at the City College of New York. Mixed and Mastered by Miles Alexander Blue Spruce at the Sonic Arts Center.
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Lonely Mind
Lonely MindIntended Memories Part I is the second musical release by urban indie rock band Blue Spruce. All songs and lyrics composed and written by Miles Alexander Blue Spruce. Recorded by Blue Spruce at the Sonic Arts Center at the City College of New York. Mixed and Mastered by Miles Alexander Blue Spruce at the Sonic Arts Center.
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Altruist
Altruist"Intended Memories Part III" is the debut musical release of Blue Spruce. "Altruist" is the song of a man who is heralded as the epitome of good to all, but he alone knows this is not true. "Flame" is a song of yearning for someone who may or may not exist, but nonetheless inspires comparison and desire. "To Live" is a song of despondent love and desperate sacrifice. Released May 23, 2016 All songs and lyrics composed and written by Miles Alexander Blue Spruce. Recorded by Blue Spruce at the Sonic Arts Center at the City College of New York. Mixed and Mastered by Miles Alexander Blue Spruce at the Sonic Arts Center.
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Flame
Flame"Intended Memories Part III" is the debut musical release of Blue Spruce. "Altruist" is the song of a man who is heralded as the epitome of good to all, but he alone knows this is not true. "Flame" is a song of yearning for someone who may or may not exist, but nonetheless inspires comparison and desire. "To Live" is a song of despondent love and desperate sacrifice. Released May 23, 2016 All songs and lyrics composed and written by Miles Alexander Blue Spruce. Recorded by Blue Spruce at the Sonic Arts Center at the City College of New York. Mixed and Mastered by Miles Alexander Blue Spruce at the Sonic Arts Center.
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To Live
To Live"Intended Memories Part III" is the debut musical release of Blue Spruce. "Altruist" is the song of a man who is heralded as the epitome of good to all, but he alone knows this is not true. "Flame" is a song of yearning for someone who may or may not exist, but nonetheless inspires comparison and desire. "To Live" is a song of despondent love and desperate sacrifice. Released May 23, 2016 All songs and lyrics composed and written by Miles Alexander Blue Spruce. Recorded by Blue Spruce at the Sonic Arts Center at the City College of New York. Mixed and Mastered by Miles Alexander Blue Spruce at the Sonic Arts Center.
