SEEKINGVocalist, Lead Guitar.
Writing, recording, collaborating, and producing music in home studio. A lifetime of playing keys. I have done over 100 professional gigs. Classical background on piano and organ, good synthesizer programming skills, reasonable DAWS skills. Progressive rock is my primary style. Software developer by day.
Can handle some bass and electric guitar, but no vocals. Can read sheets.
Interested in a new project: online or local collaboration: writing, production, and/or studio. No gigs or live performance.
When contacting me, please be sure to include links to bios, recordings, videos, photos in your email; reach me at: denormalizer at ya who dot Kom
- Screen name:
- Member since:
- Mar 04 2012
- Active within 24 hours
- Level of commitment:
- Years playing music:
- Gigs played:
- Over 100
- Tend to practice:
- 2-3 times per week
- Most available:
Pink Floyd, Alan Parsons, David Bowie, Genesis, The Doors, The Beatles, Styx, ELO, Boston, Yes, Led Zeppelin, ELP, The Cars, Collective Soul, Radiohead, Prince, Queen, Santana, Nirvana, America, Cream, Deep Purple, CSNY, Jimi Hendrix, Joe Cocker, The Who, Artful Dodger, Rolling Stones, Black Sabbath, Night Ranger, The Hollies, Jethro Tull, Todd Rundgren, Donovan, Bad Company, Cold Play, Chicago, CCR, Def Leppard, The Eagles, The Guess Who, Guns-N-Roses, Heart, Joe Cocker, Joe Walsh, John Lennon, Journey, Pearl Jam, The Pretenders, The White Stripes, Three Dog Night, Neal Diamond, Van Halen.
- Electronic Music:
- Rhythm Guitar:
- Lead Guitar:
- Bass Guitar:
Roland and Nord keyboards, Mackie Mixer/PA, Schecter and Fender guitars, Fender and NS Design basses, Mesa Boogie and Eden amps, Yamaha e-drums, Logic Pro 9.
Dear Prudence ft. Sarah Jane (Beatles Cover)
Dear Prudence ft. Sarah Jane (Beatles Cover)Cover of The Beatles - Dear Prudence. Vocals by Sarah Jane. Arrangement and accompaniment by Denormalizer.
Won't Get Better Than This
Won't Get Better Than ThisGuitar is Schecter C-1+ w/mod - Seymour Duncan '59 humbucker in neck; JB in bridge. Don't matter what you do or how you do it. Don't matter who you're with or where you are. It won't get better than this. It just won't get better than this.
Drive@1:54 - Musically stopped at a traffic light with signal on, then accelerate and drive Walk away, walk away to the street. Find the keys, unlock the door empty car, empty seat. Sat alone, sat awhile before I drive, before I cry. Engine idles, depress the brake, signal clicks. ...and then I drive. The fog and beach remind me empty feeling, empty seat. Gonna say, I'm sorry gonna head back soon gonna buy the stone gonna rent the room gonna play with fate gonna be there soon. after I drive, after the drive.
Bad KarmaHere's my stab at some lyrics. Intro: until bar 12 Verse 1 starts with do’s It's starts again another day, no change. Been here before don’t like the question not going to answer. Instrumental Bridge: 8 bars from 21-28 next verse starts with piano What's the problem so what, its what you want you think its better now but it goes on you watch it happen and don't even look away Then I think you just don’t get it how many more times will it take. Chorus: starts at bar 40 It goes on it goes on and on it's in me, it's in you when it comes around don’t let it come around around and around again -- at bar 48 Bad karma... bad, bad karma again and again and again bad karma... bad bad karma it's in you, it's in me -- at bar 56 What goes around comes around our fate, our pedigree before and again -- at bar 60 It comes around don’t want it to come around going to get back to you -- ending Bad karma... bad, bad karma what goes around, comes around (repeat for the rest of the song)
Brain PoliceOriginal by Jeff Bechter (guitar & vocals) and Norm Vilmer (keys, bass & percussion) recorded in 1986 inspired by the brain police prank phone call recorded around the same time on a JVC cassette deck, overdub achieved by desoldering the erase head. Guitar is '70's Fender Strat played thru Fender amp of the same era. Keyboard is an '80's Akai AX-80 and a small Casio was used for bass and rhythm. Mic was a Realistic (Radio Shack) Super Cardioid Dynamic.
Spocks BrainInspired by the Star Trek Episode with the same name. The voice in the intro is from the TV show. Rhythm is Nord Lead 2x "dancing filters"; EP starts at 0:28, original jazz melody; variation on old Star Trek Theme on organ starts at 1:15; squishy synth at 1:39.