SEEKING
Bass Guitar, Drums.ABOUT
Seeking male or female Rock Drummer and bassist.
What we are: We're developing chemistry. We're committed (currently practice 2 nights a week). We have the desire to put on really solid shows. Currently a 4 piece (2 guitarists, keys, 1 lead vocal) ready to start adding the crucial, driving pieces of the band together for a rock/alternative project focused on writing new songs with rhythm, movement, and consistency.
What we need - Drive, bad-ass rhythm, consistent tempo, imagination, solid practice habits & attention to detail.
You need your own gear, transportation, live playing experience, technically proficient, quick learner and ability to strip down to a lighter, lounge/acoustic performance on occasion. Vocals would be a serious + (backing vox opportunities). We need someone ready to hit the ground running and be up on modern trends. Everyone in this project will have full transparency and input.
- Screen name:
- Kevin Avery
- Member since:
- Jun 07 2010
- Active within 1 week
- Level of commitment:
- Very Committed
- Years playing music:
- 25
- Gigs played:
- Over 100
- Tend to practice:
- 2-3 times per week
Influences
Our list of influences are many. Here's a few: Muse, Imagine Dragons, OneRepublic, Incubus, Cornell, Cold Play, A Perfect Circle, Train, STP & 80's, 90's, 2000's rock.
Instrument experience:
- Vocalist:
- Advanced
- Vocalist - Baritone:
- Advanced
- Vocalist - Tenor:
- Advanced
- Background Singer:
- Advanced
- Vocalist - Bass:
- Moderate
- Rhythm Guitar:
- Moderate
- Acoustic Guitar:
- Moderate
MUSIC
-
Promises
Promises Track number: 5 Year: 2010 Album: Solo EP Genre: Rock
Track 5 from my 2010 solo Pop/Alternative EP album. Promises has more Rock elements than the other 4 tracks and more closely represents the style I’m looking to pursue.
-
Lost (in shadows)
Lost (in shadows) Track number: 3 Year: 2010 Album: Solo EP Genre: Alternative
Track 3 from my 2010 Solo EP. Lost is a Progressive, Alternative song I wrote to balance out the Rock and Pop tracks on the EP.
