Keys85
CONTACT

SEEKING

Band to Join, Vocalist, Vocalist - Bass, Vocalist - Baritone, Vocalist - Tenor, Vocalist - Soprano, Rhythm Guitar, Lead Guitar, Acoustic Guitar, Bass Guitar, Drums, Other Percussion, Violin, Trumpet, Saxophone, Keyboard, Piano, Background Singer, Harmonica, Flute, Other, Banjo, Mandolin, Fiddle, Dobro, Vocalist - Alto, Trombone, Bagpipes, Steel guitar, Upright bass, Cello, Accordion, Ukulele, DJ, Electronic Music.

ABOUT

://.pianoaccompanists/profile-gregory-gauvin

Currently the keyboardist for The Paul Leonard Band.

[Dated]
Gregory Gauvin, a resident of Branford, CT, received with honors his Bachelor of Music in piano performance at the Western Connecticut State University in the Spring of 2008 under the study of Dr. Russell Hirshfield and Professor Patricia Lutnes. During his undergraduate career, Greg studied and appeared with many great performing artists including the late Skitch Henderson, Ksenia Nosikova, William Braun, and composer Joseph Schwantner. As a member of the WCSU orchestra, under the direction of Eric Lewis, Greg was given the opportunity to perform 20th and 21st century music. Greg also has substantial accompaniment experience in the French, German, and Italian styles performing with the students of Boyd Schlaeffer, Margaret Astrup, and Perry Price. Greg is currently working towards his Master of Music degree in piano at the University of Connecticut under the direction of Dr. Neal Larrabee. He continues his performances of contemporary music with Jeffrey Renshaw as the pianist for the University of Connecticut’s Wind Ensemble, as well as working with the UCONN orchestra and chamber ensembles. Greg serves as accompanist, arranger, and assistant vocal director for the Downtown Performing Arts Center in New Haven while teaching privately in his home in Branford.

Haven confirmed my Master's degree in Piano Performance and have been working exclusively with The Paul Leonard Band. Currently employed at St. George's Church in Guilford, CT as organist/accompanist and assistant choir director. I work part time for Primer Talent Group, LLC / X Management International as well as a Freelance Musician.

Adaptive to styles of Jazz, blues, funk, latin, progressive, Christian Contemporary, Christian / Gospel, Country, Pop, R&B, Alternative, Acoustic, Show Music. You name it, I've played it.

Screen name:
Keys85
Member since:
Sep 16 2014
Active within 1 week
Level of commitment:
Touring
Years playing music:
25
Gigs played:
Over 100
Tend to practice:
More than 3 times per week
Available to gig:
4-5 nights a week

Influences

America
Asia
Badfinger
Beatles
Billy Joel
Black Crowes
Blue Oyster Cult
Bob Seger
Boston
Cat Stevens
Charlie Daniels
Cheaptrick
David Bowie
Doobie Brothers
Eagles
Eddie Money
Elton John
Extreme
Foreigner
Gin Blossoms
Grand Funk Railroad
Guess Who
Jefferson Starship
Journey
Kansas
KISS
Led Zeppelin
Pink Floyd
Police
Queen
Robert Palmer
Romantics
Rush
Starship
Steely Dan
Styx
The Who
Tom Petty
Toto
Van Halen
Jordan Rudass
+ Many More

Instrument experience:

Keyboard:
Expert
Piano:
Expert
Electronic Music:
Expert
Violin:
Moderate
Background Singer:
Moderate

EQUIPMENT

Yamaha S90 / Yamaha PSR 640 / XY-85 / DZ-27

12,000 Watt peak power. The Paul Leonard Band

General Board and Snake Description

The Paul Leonard Band PA System is designed to be straightforward and easy to set up and versatile enough to accommodate any size venue by varying the number of its Stage Sends or Amps/Speakers. Used to the band’s fullest capacity and in the largest venues, twenty-three of the twenty-four Mono channels and all of the four Stereo channels are active Stage Sends. Because the Primary Snake is connected to all the Board channels, all open channels would be available to the Stage at the Primary Snake Head regardless of venue size. Groups of cables assigned to specific members or are designated to PA gear are bundled into identifiable snakes to speed setup. Run at maximum capacity, Board usages are divided into thirteen Mic Sends and eighteen Line Outs (LO’s). Two Returns are also sent to the stage to provide signal to two headset monitor amplifiers. This manual is written assuming maximum capacity.

General Cabling Description

Mains
The Mains sub-system is run in Stereo with the Board’s ST OUT L/R outputs sending signal the Mains Amp, each channel powering two Mains Speakers, (Towers; Master and Slave), making the combined Mains complement a total of eight 15” speakers and four 1” horns. The Mains system maximum output power is 3200 Watts continuous.

Subwoofers
The board’s MONO output is a dedicated Subwoofer Send with adjustment at the board for its low pass filter bandwidth. The MONO Send is split and sends Subwoofer signal to two Parallel-configured* daisy-chained Amps, each of whose channels powers a Subwoofer cabinet (Sub) for a combined complement of four 18” Subwoofers. These are categorized as LH or RH, Inner or Outer, to designate their setup positions. The Subwoofers sub-system maximum output power is 2800 Watts continuous.

Submains
The Board’s ST SUB L/R outputs are clones of its ST OUT L/R outputs and are used to drive the Submains sub-system. The Submains is part of the design to augment or diminish the size of the PA in order to adjust to a size appropriate for a particular venue. The Submains sub-system is run in Stereo and powered by the Submains Amp and with each channel powering a Submains cabinet (Junior), for a combined total of two 15” speakers and two 1” horns. The Submains sub-system maximum output power is 720 Watts continuous.

Monitors: The Board’s AUX Sends 1 through 4 provide four Monitor mixes to the six members; AUX 1 and AUX 2 each output signal to their own Parallel-configured1 Amp with each of the Amp’s channels powering a Wedge, each Wedge housing a single 12” speaker and 1” horn with one Wedge assigned for each of the four standing members. The Wedge Monitors maximum output power is 800 Watts continuous.
AUX 3 and 4 are separate Headset Monitor sub-systems each of which returns signal to one of the two Headset Amps located on stage with the two seated members.

*Parallel configuration enables the amplifier to deliver the same signal to both channels from a single input without using a Y-cable enabling each channel to drive its own speaker load. Configuration settings of the QSC RMX series amps are made at the ten-selector DIP switch located in their rear panels. Note that only the channel A inputs are used for parallel configured amps. B inputs can be used to daisy-chain amps together.

Board AUX Sends Assignments

AUX# Designation Assigned
1 Monitor 1 Chris/Paul
2 Monitor 2 Dennis/Matt
3 Monitor 3 Steve
4 Monitor 4 Greg
5 NA Effects Processor 1 (see paragraph below)
6 NA Effects Processor 2 (see paragraph below)

See the last page for System Notes, Checklist, and Settings.

Effects, Compression, and Feedback Suppression

The Board has an integral Dual Digital Effects Processor each with several Delay and Reverb selections with one each of the two remaining AUX Buses assigned to them; AUX 5 to Processor 1 and AUX 6 to Processor 2. The Board’s design allows two effects to be used simultaneously; one per Processor/Bus.
A dual-channel Compressor/Limiter is used for the Left and Right Kick Drums for Board Channels 1 and 2 and connected into their Trsf INSERT I/O jacks.
The system has two dual-channel Automatic Feedback Suppressors (AFS) to process up to four Board channels that develop feedback and are assigned as necessary by patching into any affected Board channel’s Trsf INSERT I/O jacks.

Primary and Secondary Snakes

The Primary Snake’s Black Fan Xlrm Sends are numbered 1-32 and Red Fan Xlrf Returns are numbered 1-8. The Snake’s Send and Return head jacks are likewise numbered. Mic, Line, and Speaker cable snakes carry signal through the system with breakouts located to accommodate the relative positions of Microphones, Direct Boxes (DI’s), Amplifiers, and PA gear. All cables are numbered at their plugs and labeled according to origin and destination while the Primary Snake’s fan plugs and head jacks are factory numbered.
The Secondary Snake is 8 Channel with Xlr Fans at each end, male at one end and female at the other, which is used to connect the Primary Snake Head Return jacks to the Amps and Headset Monitor Returns. Both fans are numbered correspondingly 1-8.

Stage Snakes, Colored Banding, Mics, and Stands

Colored cables are bundled into Stage Snakes to be identified with a band members. Snakes associated with specific PA sub-systems are black cable snakes identified by colored tape and numbered/gear labels. Towers, Subs, Juniors, and Wedge cables are identity-labeled and color-banded in particular for system safety. Mics and stands are also identified on printed labels with members or gear names and color-banded.

The following are the colors and the members or PA sub-systems they are associated with:

Blue Chris
Red Paul
Green Dennis
Violet Matt
Orange Steve
Yellow Greg
Silver Submains
Brown Subwoofers
Gray Mains LH
White Mains RH


Stage Snakes to Primary Snake Head Send Jacks 1-32

Cable #. Origin Device Cables+Extensions Mic L/O Return Head Jack #
Steve
1. LH Kick CAD KBM412 25’ orange Mic x Xlrf 1
2. RH Kick CAD KBM412 25’ orange Mic x Xlrf 2
3. Snare GTDaudio A-2 25’ orange Mic x Xlrf 3
4. LH Overhead CAD CM217 25’ orange Mic x Xlrf 4
5. RH Overhead CAD CM217 25’ orange Mic x Xlrf 5
6. Floor Tom CAD D29 25’ orange Mic x Xlrf 6
7. Kit Module1 Yamaha DTX L/O Tsf 25’ orange Tsm/Xlrm+Y x Xlrf 7
21. Steve Vocal2 SM58 25’+10’+3’+2’+2’ orange Mics x Xlrf 21
3. #3 Xlrf input Behringer MA400 #1 25’+25’ orange Mics x Xlrm 3

Chris
8. Chris Amp SM57 25’+25 blue’ Mics x Xlrf 8
9. Chris Acoustic Fishman Aura DI Xlrm 25’ blue Mic x Xlrf 9
10. Chris Violin Radial SB-4 DI Xlrm 25’ blue Mic x Xlrf 10
11. Chris Piezo Whirlwind EDB1 DI Xlrm 25’ blue Mic x Xlrf 11
12. Chris Bass Hartke Bass DI Xlrm 25’ blue Mic x Xlrf 12
17. Chris Vocal SM58 25’+10’ blue Mics x Xlrf 17

Paul
13. Paul Bass Amp L/O Xlrm 25’+25’ red Mics x Xlrf 13
18. Paul Vocal SM58 25’+10’ red Mics x Xlrf 18

Dennis
14. Dennis Amp Amp L/O Xlrm 25’+25’ green Mics x Xlrf 14
15. Dennis Pedal Pedal L/O Trsf 25’ green Trsm/Xlrm x Xlrf 15
19. Dennis Vocal SM58 25’+10’ green Mics x Xlrf 19

Matt
16. Matt Acoustic3 Whirlwind EDB1 DI Trsf 3’ Mic+25’ violet Trsf/Xlrm x Xlrf 16
20. Matt Vocal Beta58 25’+10’ violet Mics x Xlrf 20
31. Matt Amp LH Amp L/O Xlrm 25’+25’ violet Mics x Trsf 31
32. Matt Amp RH Amp L/O Xlrm 25’+25’ violet Mics x Trsf 32

Greg
22. Greg Vocal2 SM58 25’+10’+2’ yellow Mics x Xlrf 22
24. Greg Violin Whirlwind EDB1 DI Xlrm 25’+10’ yellow Mics x Xlrf 24
25. Yamaha S-90 Bot Keys LH CH Trsf 25’ yellow Trsm/Xlrm x Trsf 25
26. Yamaha S-90 Bot Keys RH CH Trsf 25’ yellow Trsm/Xlrm x Trsf 26
27. Yamaha PSR-640 Mid Keys LH CH Trsf 25’ yellow Trsm/Xlrm x Trsf 27
28. Yamaha PSR-640 Mid Keys RH CH Trsf 25’ yellow Trsm/Xlrm x Trsf 28
29. Yamaha SY-85 Top Keys LH CH Trsf 25’ yellow Trsm/Xlrm x Trsf 29
30. Yamaha SY-85 Top Keys RH CH Trsf 25’ yellow Trsm/Xlrm x Trsf 30
4. #4 Xlrf input2 Behringer MA400 #2 25’+25’ yellow Mics x Xlrm 4

Available
23. Mono CH Available Xlrf 23

Mic Sends 13 13
Line Sends 18 18
Line Returns 2 2

1the Yamaha DTX kit module has its L&R outputs Y-cabled together outputting a mono signal to the board
2Steve and Greg Vocal cables have an inline on/off switch attached between the 2’ and the 10’ extensions
3Board CH16 Xlrf A input is inoperative and a 3’ violet Xlrm/Trsm cable attached to the Primary Snake fan plug #16 is inserted into the CH 16 Trsf B input.


Primary Snake Black Fan to Board channels

Black Fan Plug # Adapters (Qty) Purpose Destination Connection
1-24 Xlrm Stage Sends Mono channels 1-24 Xlrf inputs*
25-32 Xlrm Trsm/Xlrf adapters (8) Stage Sends Stereo channels 25-32 Trsf inputs

* Board CH16 Xlrf A input is inoperative and a 3’ violet Xlrm/Trsm cable attached to the Primary Snake fan plug #16 is inserted into the CH 16 Trsf B input.


Primary Snake Red Fan to Board MASTER I/O section

Red Fan Plug # Adapters Purpose Destination Connection
1. Xlrf Trsm/Xlrm adapter Monitor 1 MASTER I/O AUX 1 output Trsf
2. Xlrf Trsm/Xlrm adapter Monitor 2 MASTER I/O AUX 2 output Trsf
3. Xlrf Trsm/Xlrm adapter Monitor 3 MASTER I/O AUX 3 output Trsf
4. Xlrf Trsm/Xlrm adapter Monitor 4 MASTER I/O AUX 4 output Trsf
5. Xlrf* 1’ Tsm-Tsm/Xlrm cable Submains MASTER I/O ST SUB output Trsf L/R
6. Xlrf Subwoofers MASTER I/O MONO output Xlrm
7. Xlrf Mains LH MASTER I/O ST OUT L output Xlrm
8. Xlrf Mains RH MASTER I/O ST OUT R output Xlr

*Submains Xlr cable is split to separate into LH and RH channels


Secondary Snake: Connects Primary Snake Head Return Jacks 1-8 to Amps/Headset Monitor Returns

Head Jack # Secondary Xlrf #. Purpose Destination Connection
Xlrm jack 1 1. Monitor 1 RMX850 #1 CH 1 INPUT Xlrf
Xlrm jack 2 2. Monitor 2 - RMX850 #2 CH 1 INPUT Xlrf
Xlrm jack 3 3. Monitor 3 Monitor 3 Return 25’ orange cable Xlrf1
Xlrm jack 4 4. Monitor 4 Monitor 4 Return 25’ yellow cable Xlrf1
Xlrm jack 5 5. Juniors RMX1850HD2 CH 1/2 INPUTS Xlrf
Xlrm jack 6 6. Subs RMX2450HD #1/#23 CH 1 INPUTS Xlrf
Xlrm jack 7 7. Towers LH RMX4050HD CH 1 INPUT Xlrf
Xlrm jack 8 8. Towers RH RMX4050HD CH 2 INPUT Xlrf

1Xlrf plugs from Steve and Greg stage snakes connect to orange and yellow 25’ Mic extensions from the Secondary Snake fan Xlrm plugs 3 and 4
2Xlrf/Xlrm-Xlrm adapter attaches to RMX1850HD CH 1+2 Xlrf INPUTS from Snake fan Xlrm plug 5
3Xlrf/Xlrm-Xlrm adapter attaches RMX2450#1 and RMX2450#2 CH1 Xlrf inputs from Snake fan Xlrm plug 6


Amps to Wedges Snake

Cable #. Origin Connection Cables Destination Connection
1. RMX850 #1 CH 1 OUTPUT 25’ 12 ga Speakon/Speakon Wedge #1 - Chris Speakon
2. RMX850 #1 CH 2 OUTPUT 25’ 12 ga Speakon/Speakon Wedge #2 - Paul Speakon
3. RMX850 #2 CH 1 OUTPUT 25’ 12 ga Speakon/Speakon Wedge #3 - Dennis Speakon
4. RMX850 #2 CH 2 OUTPUT 25’ 12 ga Speakon/Speakon Wedge #4 - Matt Speakon


Amps to Master Mains/Subwoofers/Submains Snake

Origin Connection Cables Destination Connection
1. RMX1850HD CH 1 OUTPUT 25’ 12 ga Speakon/Speakon Junior #1 LH Speakon
2. RMX1850HD CH 2 OUTPUT 25’ 12 ga Speakon/Speakon Junior #2 RH Speakon
3. RMX2450 #1 CH 1 OUTPUT 25’ 12 ga Speakon/Speakon Sub #1 LH Inner Speakon
4. RMX2450 #1 CH 2 OUTPUT 25’ 12 ga Speakon/Speakon Sub #2 RH Inner Speakon
5. RMX2450 #2 CH 1 OUTPUT 25’ 12 ga Speakon/Speakon Sub #3 LH Outer Speakon
6. RMX2450 #2 CH 2 OUTPUT 25’ 12 ga Speakon/Speakon Sub #4 RH Outer Speakon
7. RMX4050HD CH 1 OUTPUT 25’ 12 ga Speakon/Speakon Tower #1 LH Master Speakon
8. RMX4050HD CH 2 OUTPUT 25’ 12 ga Speakon/Speakon Tower #2 RH Master Speakon


Master to Slave Towers

Origin Connection Cables Destination Connection
Tower #1 LH Master Tsf output 10’ clear 12 ga Speakon/Tsm Tower #3 LH Slave Speakon
Tower #2 RH Master Tsf output 10’ clear 12 ga Speakon/Tsm Tower #4 RH Slave Speakon

Slaved speaker cables are labeled “MNSL” and MNSR” but are separate and not bundled into a Snake


Board to Alesis 3630 Compressor/Limiter Snake

Origin/ Connection Cables Purpose Destination Connection
Board CH 1 INSERT I/O Trsf 10’ 1/2 Trsf/Tsf-Tsf LH Kick Compression 3630 INPUT/OUTPUT L Tsf
Board CH 2 INSERT I/O Trsf 10’ 1/2 Trsf/Tsf-Tsf RH Kick Compression 3630 INPUT/OUTPUT R Tsf


Board to DBX AFS224 Feedback Suppressors

Origin/Connection Cables Purpose Destination Connection
Board CH INSERT Trsf I/O 10’ 1/2 Trsf/Tsf-Tsf FB Suppression AFS224 INPUT/OUTPUT L Tsf
Board CH INSERT Trsf I/O 10’ 1/2 Trsf/Tsf-Tsf FB Suppression AFS224 INPUT/OUTPUT R Tsf
Board CH INSERT Trsf I/O 10’ 1/2 Trsf/Tsf-Tsf FB Suppression AFS224 INPUT/OUTPUT L Tsf
Board CH INSERT Trsf I/O 10’ 1/2 Trsf/Tsf-Tsf FB Suppression AFS224 INPUT/OUTPUT R Tsf


Talkback Mic to Board

Origin Cable Purpose Destination Connection
SM57 6’+2’ Mic Talkback Board Talkback input Xlrf

the Talkback PTT switch is connected between the 6’ and 2’ Mic cables

PLB PA Inventory/Component Specs
Component Brand/Model Specs Owner
Mixing Board Yamaha MG32-14FX 32 Channels/8 Returns/14 Effects Chris
Towers Amp QSC RMX4050HD* 1600WX1600W/2Ω Chris
Subs Amp QSC RMX2450 700WX700W/4Ω Chris
Subs Amp QSC RMX2450 700WX700W/4Ω Chris
Juniors Amp QSC RMX1850HD* 360WX360W/8Ω Chris
Wedges Amp QSC RMX850 200WX200W/8Ω Chris
Wedges Amp QSC RMX850 200WX200W/8Ω Chris
Headset Amp Behringer MA400 NA Chris
Headset Amp Behringer MA400 NA Chris
Feedback Suppressor DBX AFS224 Dual Channel/24 Band Chris
Feedback Suppressor DBX AFS224 Dual Channel/24 Band Chris
Compressor/Limiter Alesis 3630 Dual Channel Paul

*QSC HD Series Amps are capable of safely driving 2Ω loads

Speakers
Tower JBL JRX125 4Ω 500W continuous - 2000W peak Chris
Tower JBL JRX125 4Ω 500W continuous - 2000W peak Chris
Tower JBL JRX125 4Ω 500W continuous - 2000W peak Chris
Tower JBL JRX125 4Ω 500W continuous - 2000W peak Chris
Sub JBL JRX118S 4Ω 700W continuous Chris
Sub JBL JRX118S 4Ω 700W continuous Chris
Sub JBL JRX118S 4Ω 700W continuous Chris
Sub JBL JRX118S 4Ω 700W continuous Chris
Junior JBL JRX115 8Ω 250W continuous - 1000W peak Chris
Junior JBL JRX115 8Ω 250W continuous - 1000W peak Chris
Wedge JBL JRX112M 8Ω 250W continuous - 1000W peak Chris
Wedge JBL JRX112M 8Ω 250W continuous - 1000W peak Chris
Wedge JBL JRX112M 8Ω 250W continuous - 1000W peak Chris
Wedge JBL JRX112M 8Ω 250W continuous - 1000W peak Chris


Snakes # Cables
1. Primary XSPRO 32X8X100' 32 Sends+8 Returns Chris
2. Secondary* Seismic Audio 8X25’ 8 Returns Chris
3. Chris 6+2 extensions Chris
4. Paul 2+2 extensions Chris
5. Dennis 3+2 extensions Chris
6. Matt 4+4 extensions Chris
7. Steve 8+1 Return+5 extensions Chris
8. Greg 8+1 Return+5 extensions Chris
9. Amps to Wedges 4 Chris
10. Amps to Towers/Subs/Juniors 8 Chris
11. Board to Compressor/Limiter 2 Chris
12. Board to Feedback Suppressors 4 Chris

*Secondary snake has 25’ orange and yellow mini-snake permanently attached to this #3 and #4 Xlrm fan plugs

Hardware Purpose
SKB Board Road Case Board transport Chris
14U Board Rack rollaway Power, Compressor, Suppressors, storage Paul
Pro Tekt 10U Amp Rack rollaway Towers, Juniors, Wedges Amps Chris
SKB 6U Rack Subs Amps Chris
Gator 2U Mic Drawer Vocal/Amp/Talk Back spare Mics Chris
Gator 3U Rack Drawer Headsets/Kit Mics/PTT Chris
Gator 3U Rack Drawer DMM/Voltage/Gnd Tester Chris
Whirlwind ED-B1 DI (4) Chris Piezo/Greg Violin/Matt Acoustic/spare Chris
Audioman PTT Talkback PTT Switch Chris
Sperry DM-2A Pocket Pro DMM Digital Multimeter Chris
Large Clear Deep Tub #1 Primary Snake Chris
Large Clear Deep Tub #2 Speaker Cable Snakes Chris
Large Clear Shallow Tub #1 Stage Snakes Chris
Large Clear Shallow Tub #2 Spare Cables Chris
Medium Gray Tub Power Cables Paul
Small Clear Shallow Tub Spare Adapters, Parts, and Tools Chris


Microphones Qty
Shure SM58 1 Chris Vocal Chris
Shure SM58 4 Paul/Dennis/Steve/Greg Vocal Paul
Shure Beta58 1 Matt Vocal Matt
Shure SM57 1 Chris Amp Chris
Shure SM57 4 Talkback/spares Paul
CAD KBM412 2 Kicks Chris
CAD CM217 2 LH/RH Overheads Chris
CAD D29 1 Floor Tom Chris
GTDaudio A-2 1 Snare Chris
Tascam PE-125 condenser 3 recording, spares Paul


Cables

Vocal Mic Sends Purpose Assigned Owner
25’ blue Vocal Mic 1 Chris Chris
10’ blue Vocal Mic 1 extension Chris Chris
25’ red Vocal Mic 1 Paul Chris
10’ red Vocal Mic 1 extension Paul Chris
25’ green Vocal Mic 1 Dennis Chris
10’ green Vocal Mic 1 extension Dennis Chris
25’ violet Vocal Mic 1 Matt Chris
10’ violet Vocal Mic 1 extension Matt Chris
3’ violet Vocal Mic 1 extension Matt Chris
25’ orange Vocal Mic 1 Steve Chris
10’ orange Vocal Mic 1 extension Steve Chris
3’ orange Vocal Mic 1 extension for inline on/off Steve Chris
2’ orange Vocal Mic 2 extension Steve Chris
25’ yellow Vocal Mic 1 Greg Chris
10’ yellow Vocal Mic 1 extension Greg Chris
2’ yellow Vocal Mic 2 extension for inline on/off Greg Chris


Instrument Mic/Line Level Sends
25’ blue Mic 6 Chris Amp (2)/Acoustic/Violin/ Piezo/Bass L/O’s Chris
25’ red Mic 2 Paul Amp L/O Chris
25’ Mic 25 Line Sends/spares Chris
25’ green Mic 2 Dennis Amp Chris
25’ green Trsm/Xlrm 1 Dennis Pedal Chris
25’ violet Xlrm/Xlrf 6 Matt Amp Chris
25’ violet Trsm/Xlrm 1 Matt Acoustic L/O Chris
25’ orange Tsm/Xlrm 1 Kit Module L/O Chris
25’ orange Mic 3 Headset Monitor 3 Return and extensions Chris
25’ yellow Trsm/Xlrm 6 Keys L/O’s Chris
25’ yellow Mic 3 Greg Violin/2 spares Chris
25’ yellow Mic 3 Headset Monitor 4 Return and extensions Chris
25’ white Mic 1 Talkback Chris
10’ green Mic 1 Dennis Amp extension Chris
10’ gray Mic 1 spare Chris
10’ orange Mic 1 spare Chris
10’ yellow Mic 1 Greg Violin Chris
10’ 1/2 Trsf/Tsf-Tsf 3 Compressor/Feedback Suppressor Chris
10’ Trsm/Trsm 2 Monitor EQ Chris
6’ Mic 1 spare Chris
3’ blue Trsm/Xlrf 1 spare Chris
3’ violet Trsm/Xlrf 1 adapter for CH 16 Trsf input Chris
2’ white Mic 1 Talkback extension Chris
2’ yellow Trsm/Xlrf 1 spare Chris
2’ Trsm/Xlrm 1 spare extension Chris
1’ Tsf-Tsm/Tsm 1 Y-cable Kit Module L/O Chris
1’ Tsm-Tsm/Xlrm 1 Y-cable Board Master I/O ST SUB outputs Chris
1’ Xlrf/Xlrm-Xlrm 3 Y-cable for Submains Amp inputs/2 spares Chris


Speaker Cables
25’ Speakon/Speakon 12 Towers/Subs/Juniors/Wedges Chris
25’ Speakon/banana 2 spares Chris
10’ clear Speakon/Tsm 2 Towers Master/Slave Jumpers Chris
10’ black Speakon/Tsm 2 spares Chris
0.5’ banana/Tsm 1 spare Chris


Headsets
AKG K240 headset 1 Headset Monitor 4 Chris
AKG K240 headset 1 Soundman Chris


Adapters
Trsm/Xlrm 10 8 MASTER I/O to Monitors/2 Headphone Amps Chris
Trsm/Xlrf 10 Board Channels 25-32/2 spares Chris
Xlrm/Xlrf with on/off switch 2 Steve/Greg Vocal Mics Chris
Speakon/Trsf 2 Submains cable adapters Chris
Trsf/Xlrm 3 spares Paul
Xlrf/Xlrf 2 spares Paul
0.5’ white MIDI cable 1 spare Chris


Stands and Clips
Tall Boom Mic stands 5 Chris/Dennis/Matt Vocal/2 Overheads Chris
Short Boom Mic Stands 4 Chris Amp/2 Kicks/Snare Paul
Boom Mic Stand Round Base 1 Paul Vocal Paul
Boom Mic Stand Tripod Base 1 Greg Vocal Paul
Straight Mic Stands 2 support mounting shelves for Headphone Amps Paul
Neck Ring Mic Holder 1 Steve Vocal Steve
Desk Mic Stand rectangular base 1 Talkback Chris
Desk Mic Stand round base 1 Talkback Chris
Raxxess AR5 Mic Stand shelf 2 Mounting Shelf for Headphone Amps Chris
Rim Mic Clip Black 1 spare Chris
Rim Mic Clip Chrome 1 spare Chris
Tall Boom Mic stand lower 1 spare Chris
19” Boom Attachment 1 spare Chris


Miscellaneous
Apex Act 3 Deluxe Cable Tester Tester for all system cables Chris
voltage/ground/phase/tester Outlet Tester Chris
50’ orange AC power cord Board end power cable Paul
50’ HD yellow AC power cord Stage end power cable - 3 split Paul
Power Strip Power - Mains/Subs/Submains/Wedges Amps Chris
Primary Snake security cover snake head security during performance Steve
Board Table 4’ X 2’ table Chris
Brother P-2030 Labeler Gear labeler Chris
White LED Flashlight Misc Paul

Component Serial Number Owner
Yamaha MG32/14FX UCCKY01199 Chris
QSC RMX4050HD 101026718 Chris
QSC RMX2450 #1 050526516 Chris
QSC RMX2450 #2 120526172 Chris
QSC RMX1850HD 050240128 Chris
QSC RMX850 #1 080326695 Chris
QSC RMX850 #2 070632787 Chris
JBL JRX125 #1 PO372223538 Chris
JBL JRX125 #2 PO372223545 Chris
JBL JRX125 #3 NA* Chris
JBL JRX125 #4 NA* Chris
JBL JRX118S #1 PO36925862 Chris
JBL JRX118S #2 PO36921832 Chris
JBL JRX118S #3 PO36926885 Chris
JBL JRX118S #4 PO36926009 Chris
JBL JRX115 #1 PO367312975 Chris
JBL JRX115 #2 PO367312976 Chris
JBL JRX112M #1 PO365167331 Chris
JBL JRX112M #2 PO365167324 Chris
JBL JRX112M #3 PO365167334 Chris
JBL JRX112M #4 PO365167338 Chris
DBX AFS224 NA Chris
DBX AFS224 NA Chris
Alesis 3630 NA Paul
Behringer MA400 Headphone Amp #1 S1304519491 Chris
Behringer MA400 Headphone Amp #2 S1304522491 Chris
Sperry DM-2A Pocket Pro DMM 091001 Chris
Outlet Tester NA Chris

*Stenciled with ”Brighter Than a Thousand Suns”`.

Rollaway and Rack Stackups - components in descending order

14U Board Rack Rollaway
1. 2U - Vent Grate
2. 1U - Alesis 3630 Compressor/Limiter
3. 1U - DBX AFS224 Automatic Feedback Suppressor
4. 1U - DBX AFS224 Automatic Feedback Suppressor
5. 1U - Rack Power Strip
6. 2U - Mic Drawer
7. 3U - Drawer
8. 3U - Drawer
12U Total used

6U SKB Subwoofers Amps Rack
1. 2U - open
2. 2U - QSC RMX2450
3. 2U - QSC RMS2450
4U Total used

10U Mains, Submains, and Monitors Amps Rollaway
1. 2U - QSC RMX850
2. 2U - QSC RMX850
3. 2U - QSC RMX1850HD
4. 3U - QSC RMX4050HD
9U Total used


Setup notes
• All references to “LH” or “RH” are as if the stage is viewed from the Audience
• With reference to all power amps and effects units, CH1 or A = LH Channel, CH 2 or B = RH Channel
• All cable Adapters remain attached to cables or fans
• Master Towers are placed on top of the Inner Subwoofers
• Slave Towers are placed in the Outer Subwoofers
• Subwoofers Amp #1 powers the LH and RH Inner Subs
• Subwoofers Amp #2 powers the LH and RH Outer Subs
• Juniors are generally but not necessarily placed on top of the Towers; either Masters or Slaves, or are used as Sidefills
• Carefully observe all speaker cable labels for correct attachment and system safety


System Checklist
• Fan and Board Channel plug/jack numbers match
• Stage Snake and Returns match Primary Snake head numbers
• Towers, Subs, Juniors, and Wedges match ID’s with their cables


Pre-Power-Up System Settings - All checks and settings should be made and the Board can be powered up BEFORE the Amps are turned on.

• Turn all amps OFF
• Turn all amp Gains fully CCW, (0dB)
• Turn OFF All Board channels
• Turn Board OFF

Power-Up

• All three Phantom Power switches ON
• All Hi Pass filters ON excluding channels 12 and 13
• All PAD switches OFF excluding channels 12 and 13
• All Channel PRE buttons should be ON
• All Channel AUX 5 and 6 buttons should be OFF
• All Channel 1-2 and 3-4 (Groups) buttons should be OFF
• All Channels’ ST buttons should be ON
• All Channels’ PAN or BALANCE knobs set to the 12:00 position
• All Channels turned OFF
• All Channel faders down
• All Groups faders down
• Special notes for Channels 12 and 13 (Chris/Paul Bass)
o High Pass Filters set to OFF to allow the deeper pitches
o PAD switches set to ON to reduce Board input signal sensitivity
o AUX 1 - 4 knobs should be set fully CCW, (0) - Basses never go through Monitors
• ST fader down (Mains)
• MONO fader down (Subwoofers)
• ST SUB OUT knob fully CCW (Submains)
• POWER UP BOARD
• POWER UP SYSTEM AMPS
• Turn System Amps gains to run at maximum, (fully CW).
• Begin turning Channels ON and test one at a time.
• Both internal Effects units ON