SEEKING
Band to Join, Vocalist, Acoustic Guitar, Bass Guitar, Keyboard.ABOUT
I am a young-at-heart active musician that has been playing out since I was 14. Growing up playing the clubs of Los Angeles I got more than my share of the scene and industry, at least enough to know that my life with my family would always take precedence, which is why I chose to raise our kids in Waco! I can play whatever is needed, arrange, harmonize, and I have the right gear to back it up. It is difficult to find good players that desire to make a professional-level product but also have a life outside of music. Good family values, good camaraderie, and making great music are the name of the game. Playing live 10-15 times a year would be ideal with rehearsals once per week. Professional gear, attitude, and experience are expected.
I am playing lead guitar in the audio samples above.
info at trepdata dot com
- Screen name:
- Tripoutski
- Member since:
- Nov 15 2008
- Active over 1 month ago
- Level of commitment:
- Committed
- Years playing music:
- 35
- Gigs played:
- Over 100
Influences
SoCal rocker transplanted in Texas. I love the musical rock scene, classic rock, as well as much of the newer Country out today. Now seeking musicians for new local Country band. (think Urban, Paisley, Aldean, Moore, B&R meet Strait, Allen, B&D, Ledoux, etc.).
Instrument experience:
- Lead Guitar:
- Advanced
- Vocalist:
- Moderate
EQUIPMENT
Pro gear, and too much of it.
MUSIC
-
Blonde Ambition
Blonde Ambition Year: 2010 Genre: Country
This is an original song written by members of a band that I was in. On this track I am playing lead guitar and you can get an idea of the rock edge that I like to bring to this Country style. The solo is a quick 11 second hit-and-run that serves the character of this song well. Credits: Gerick/Buenger
-
Youngblood
Youngblood Year: 2010 Genre: Country
I felt that this song need an "airy" feel with the lead guitar. The heavy reverb on the chords leading to the chorus and the simple picking over the chorus gave it that spacious feel. The solo @ 1:33 is the rhythm guitarist's work, then I balance it out with the extended solo starting at 2:38. To add to the unusual feel of the song, I utilized an Ebow and a drone-style tapping technique in the solo. Credits: Bill Gerick
